It was initially inspired by a cover of Jugend magazine, where the title's six letters are perfectly in tune with the scene — two girls hold their hands and dance by the water on tiptoes with their white dresses billowing around. This set me thinking about creating a typeface that expresses dancing in writing.

Though using Jugend magazine as a starting point, the design gradually departed from it. Each letter was drawn with only one line without exception and became more expressive by flanking the letters’ arms outwards and allowing intersection within one stroke.

While maintaining the sharp contrast between thick and thin strokes, the design is closer to script typefaces by capturing the speed and habits of handwriting. Readability was largely improved, since in Jugend magazine’s six letters, the letter E can only be read as C without the context.

The letters’ bubble-like teardrop terminals were inspired by dance notations, especially by Beauchamp-Feuillet notation and Valerie Sutton’s DanceWriting, which combine music notes and more expressive graphic symbols to represent body movements.

Beauchamp-Feuillet notation is a system of dance notation used in Baroque dance. It shows the roles of the dancer or dancers, the tract they were to follow, and the steps to perform in relation to music. It focuses on footwork from a bird's-eye view. Each curvy line with a dot and a dash represents a step.